Socially withdrawn and stuck in a repetitive routine, Paul is intelligent but painfully shy and awkward in social situations. He secretly admires his neighbour Emily and longs for connection, but fear and self-doubt keep him isolated. Paul wants to engage with life but freezes when opportunities arise. His story is about confronting his fears, stepping outside his comfort zone, and learning that life is unpredictable and sometimes brutally so.

Ray is a chaotic, unpredictable presence who presents himself as Paul’s guardian angel, though his methods are anything but traditional. He is fast talking, impulsive, and endlessly confident, with a sharp comedic voice that drives much of the film’s energy. Ray thrives on pushing boundaries and escalating situations, often blurring the line between helpful guidance and reckless interference. The role requires strong comedic instincts, timing, and a willingness to fully commit to bold, absurd choices, leaning into the humor without grounding it in sentimentality. He is unapologetically offbeat and a constant wildcard, keeping both Paul and the audience on edge.

Emily is quick-witted, playful, and socially confident, with a dry sense of humor and an effortless charm. She naturally takes the lead in conversations, teasing in a way that feels easy and genuine rather than forced. Outgoing and self-assured, she brings Paul into her world with curiosity and amusement, seeing him as harmless and slightly awkward. While she can come across as flirty, it stems more from her personality than any real romantic intent. Emily is perceptive, independent, and comfortable in her own space, moving through life on her own terms.

Violet is a sensitive and introverted photographer who has recently moved to Montreal – a place that until the past few years has been the city of her aunt Mabel. She is hyper-aware of others’ perception of her, especially Mabel’s . An artist with an active imagination, Violet has a rich playfulness – a side of herself she doesn’t really show to Mabel. (Anglophone)

Violet’s aunt and artistic mentor, Mabel is eccentric and charming, but has hyper-critical and manipulative tendencies. She mostly denies the power dynamic between the two and acts more like Violet’s best friend. Compensating for the regrets of her own art career, Mabel is always chasing the next idea and uses her relationship with Violet as a mascot for her pursuits. (Anglophone with min. basic French)

Violet’s new neighbor. Grounded and easy-going, Morgan is able to live in the moment and helps Violet do the same. Singing ability is a bonus, not required. Bilingual (French/English)

Male, White, 40–55, slight to average build, receding hairline. A quiet, hardworking farmer who appears awkward and harmless on the surface, but hides a dark and disturbing nature beneath. Strong physical acting skills, with the ability to convey subtle menace. NOTE: Must be willing to shave head for wig application if required, and hold a valid driver’s licence. DATES: May 4-7, 2026 (4 shoot days). Rate of Pay is $350/day... PRINCIPAL (non-speaking). See photo reference:

Need to be able to play basket ball and have dribbling ability

Homme caucasien, 23-30 ans (âge caméra) Particularités: Teint pâle, on cherche une bouille. Physionomie sympathique. Bon jeu physique (réactions subtiles) **on souhaite voir de nouveaux visages, pas trop connus en pub.

Homme caucasien ou asiatique, 45 à 55 ans (âge caméra). Doit être chauve ou faire de la calvitie Particularités : Bonne carrure, look tough, sans forcément être musclé. Look crédible de travailleur manuel. Bonne présence comique **on souhaite voir de nouveaux visages, pas trop connus en pub.

Rôle principal - Conjointe de Paul Femme 40 à 55 ans (âge caméra) Toute ethnicité (pas caucasienne) Particularités : Mère de famille. Bienveillance naturelle. Regard complice. Jeu subtil en duo **on souhaite voir de nouveaux visages, pas trop connus en pub.

Rôle muet - Membre d’équipe Tim Femme, toute ethnicité (pas caucasienne), 18 à 25 ans (âge camera) Particularités : Sourire sympathique, naturelle. Authentique, relatable. Aucun tatouages et/ou piercing visibles. **on souhaite voir de nouveaux visages, pas trop connus en pub.

This role is identified in the first left cell of the script as MAN and dog getting into vehicle. Therefore those submitting must be comfortable working with a dog. Open to all ethnicities.

This role is identified in the second left cell of the script as WOMAN with dog in back seat of vehicle. Therefore those submitting must be comfortable working with a dog. Must have valid drivers license. ROLE is now switched to a MAN. Open to all ethnicities.

This role is identified in the fourth left cell of the script waving at our HERO while walking their dog. Therefore those submitting must be comfortable working with a dog. Open to all ethnicities.

This role is not identified in script however in the first left cell where MAN and dog are getting into vehicle, she is in the passenger seat. Therefore those submitting must be comfortable working with a dog. Open to all ethnicities. Possibility of upgrade to SOC.

This role is identified in the fourth left cell of the script cycling past our HERO. Open to all ethnicities. Possibility of upgrade to SOC.

This role is identified in the fourth left cell of the script standing with our HERO waiting to cross the road. Actual MOTHER and CHILD or individual woman welcome to submit. Open to all ethnicities. Possibility of upgrade to SOC.

This role is identified in the fourth left cell of the script standing with our HERO waiting to cross the road. Actual MOTHER and CHILD or individual child welcome to submit. Open to all ethnicities. Possibility of upgrading to SOC.