Selected open roles for talent
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Older Adults - Trans-male
All ethnicities please. Union and Non-Union.
Stella Hart
26 years old, only daughter of the Hart Group. In her previous life, she was obsessed with her scoundrel husband, Victor, and was manipulated by him and his mistress, Camille, into signing away her assets. She was slowly poisoned, which led to her family's tragic death. Reborn on the day of the "husband selection event," she rewrites her destiny by choosing Adrian, thus regaining control of her life. She is smart, resilient, and proactive. She can fiercely fight back against humiliation and crush the Miller Group in a business war. Her strength comes from her clear-headed perspective. In her intimate relationships, she maintains boundaries, believing marriage is only a business partnership. However, Adrian's sincerity slowly melts the ice around her heart. Qualified intimacy coordinator on set, closed set. Mild intimacy scenes involving kissing.
Adrian Hawthorne
30 years old, heir to the Hawthorne Group. He is dominant and clever, with a cold exterior but a warm heart. He possesses strong resolve and gentle patience. He is incredibly sincere to Stella, willing to sacrifice everything to protect her. He is also Stella's true childhood sweetheart. He spent his life alone, secretly protecting Stella and waiting for the curse to be broken. However, he only received the news of her and her family's deaths. On his 29th birthday, the curse was lifted, and he was granted one wish. He used it to turn back time, giving Stella her second chance. Must be athletic and in good shape. Qualified intimacy coordinator on set, closed set. Mild intimacy scenes involving kissing. Must be comfortable being topless.
Victor Miller
30 years old, Stella's husband in her previous life and the man she mistakenly believed was her childhood sweetheart. He is the heir to the Miller Group. On the surface, he is proud and strong, but he is fundamentally insecure, arrogant, and foolishly opportunistic. In the previous life, he used "true love" as a guise to manipulate and exploit Stella. In this life, his despicable nature remains unchanged. He cannot believe Stella would marry anyone but him. When Stella and Adrian team up to short his company and he witnesses their intimacy, he loses control. He lashes out at Camille and their conflict escalates into violence.
Camille Reed
24 years old. She presents a persona of innocence and weakness. She is skilled at playing the victim in public to gain sympathy, but privately she is a mistress, a manipulator, and a schemer who feigns pregnancy to secure a formal position. For her, relationships are merely a means to an end.
Vivian Mitchell
50 years old, Victor's mother. She is a snobbish and domineering woman who uses "family honor" as a weapon. She has small-minded cunning but no real wisdom or foresight. Her vulgar words and actions are no match for Stella and Adrian's counterattack, and she ultimately serves as a catalyst for her son's downfall.
Charles Hart
55 years old, Stella's father. Although the head of a major corporation, he is very loving and protective of his wife and daughter. He doesn't just marry his daughter off based on wealth and status; he gives her the freedom to choose. He provides "trust and support," always serving as a safety net for his daughter.
Lillian Hart
50 years old, Stella's mother. She is gentle and resilient, and she cherishes her only daughter. She worries about Stella being mistreated by her in-laws. After getting to know Adrian, she becomes an active supporter of their relationship.
Lily
35 years old, Stella's assistant. She is decisive and clear-headed in her work.
JACK
Liam’s longtime editor and friend, a sharp, seasoned journalist who pushes him toward a high-stakes foreign assignment while urging him to let go of the past.
LUNA
Warm, easy-going woman whose radiant smile and community spirit quickly light up a room, seen organizing local fundraisers and connecting naturally with Amir and Sydney
OFFICER
Officer arrives with Jeanie to take Tracey and also arrests Ben for vehicle theft.
Dancer 1 (Any Ethnicity)
Athletic dancer body type for silhouette and slow motions contemporary partner movement/ captivating facial expressions/ electrifying connection/ luxurious visuals
Dancer 2 (Any Ethnicity)
Athletic dancer body type for silhouette and slow motions contemporary partner movement/ captivating facial expressions/ electrifying connection/ luxurious visuals
ADDITIONAL PROFILE: HERO TALENT
ASIAN or HISPANIC BACKGROUND Striking a balance of authenticity and vibe. Eyes and expressions should carry a mix of confidence and curiosity. Someone who feels effortless in their passion for play. Still must read as a believable gamer, play as tech savvy and confident.
THEODORA
Female, 70s - 80s, any ethnicity. Theodora is not a stereotypical grandmother figure. She is sharp, spirited, and has lived a life of love, adventure, and mistakes. Now, after losing her best friend, she faces a profound loneliness. Living in a society that prizes youth and productivity, she struggles to build new connections and finds herself drained of joy. When prescribed The Touch Program, she enters an unconventional treatment that blossoms into a meaningful friendship with Joy, her professional cuddlist. Theodora’s arc moves from disconnection to fleeting renewal, before she is confronted with technology’s hollow version of care. Personality Traits: Sharp, resilient, emotionally layered, quietly vulnerable yet witty. Intimacy Notes: Scenes of physical touch, including hugs, caressing, and bare back exposure (non-sexual).
JOY
Female, late 30s - early 50s, any ethnicity. Joy is a professional cuddlist — warm, empathetic, and skilled at making people feel seen. She radiates comfort and believes deeply in the healing power of her work. While her compassion is genuine, she also balances it with professionalism and respect for boundaries. For Theodora, she becomes both a guide and a rare source of authentic connection. Personality Traits: Grounded, empathetic, charismatic, emotionally intelligent, approachable. Intimacy Notes: Non-sexual physical intimacy required (hugging, caressing, hair stroking).
NEIGHBOUR
Male, 30s, any ethnicity. A man defined by routine and optimization. He trains, diets, and games with the same intensity, leaving little room for connection. When Theodora offers him cake, he brushes her off — a small but telling moment of rigidity and detachment. The Neighbour isn’t malicious, just closed-off, embodying the cold isolation of modern urban life.
SELAM HAGOS
Female, 30s, Eritrean. Performer must be partially fluent in Tigrinya. Selam is the eldest daughter of Eritrean refugees, the firstborn in a new country, raised between worlds. From an early age, she was tasked with adult responsibilities like translating for her parents, managing family logistics, parenting her younger siblings, and becoming the family’s symbol of success. She is the first to go to university, the first to achieve “stability,” and the one on whom the family’s hopes quietly rest but that responsibility came at a price. As the stoic, high-achiever, Selam learned to suppress her needs, compartmentalize her pain, and perform composure. And now, after the sudden death of her youngest sister, Betty, those lifelong repressed emotions have nowhere left to hide. Her grief, unprocessed and long-denied, is beginning to rupture her carefully curated self-image and threaten her fragile mental state. What appears as a haunting may actually be the emotional aftermath of a life spent surviving rather than feeling. Selam represents the emotional cost of being the “model” daughter, the immigrant child who carries generational survival on her back. Her journey is one of internal collapse and a reckoning with identity, grief, and the trauma of never being allowed to feel. Performer must be partially fluent in Tigrinya.
BINYAM GEBREZGHI
Male, 30s, Eritrean. Performer must be FULLY fluent in Tigrinya. Binyam is a quiet, haunted Eritrean man shaped by the journey to flee out of one of the world’s most closed-off countries. Born and raised in Eritrea where forced military conscription is indefinite and dissent is silenced, Binyam longed for freedom and illegally fled. His escape led him through a gauntlet of trauma through Sudan, Libya, smugglers, black-market labor, starvation, and boats that didn’t always reach the shore. He’s one of the few who made it to Canada alive. Now, Binyam is a survivor with a fractured sense of self. As a newcomer, he’s watched many of his friends, fellow refugees, take their own lives in a country that promised safety but was met with isolation. In Toronto, where the Eritrean community often celebrates success, upward mobility, and reputation, Binyam feels invisible. He doesn't fit the model of the assimilated newcomer. He doesn’t belong in the living world. Instead, he finds companionship among the dead, cleaning headstones, speaking to graves, and listening for the voices of those who’ve crossed over. Whether it's spiritual, psychological, or both, this connection has become his lifeline. He isn’t crazy, he’s displaced, grieving, and clinging to a reality where he still has purpose. But as his connection to the dead grows stronger, his hold on the living world grows weaker. Binyam is the embodiment of immigrant trauma that doesn’t get healed, a man surviving in the margins of both his culture and his mind. He is a mirror to Selam: where she suppresses grief in favor of survival, Binyam lives in grief because survival cost him everything else. Performer must be FULLY fluent in Tigrinya.