Looking for a dynamic performer capable of delivering a wide emotional range with depth and authenticity.

Looking for a dynamic performer capable of delivering a wide emotional range with depth and authenticity.

Looking for a dynamic performer capable of delivering a wide emotional range with depth and authenticity.

Looking for a dynamic performer capable of delivering a wide emotional range with depth and authenticity.

Think Expedia's "Stuff" commercial with some industrial flair. This will be a fully scripted walk and talk video that will require dynamic acting skills and would be benefited from improv experience. For this commercial we are looking to cast a middle aged caucasian male who is professional and able to portray a confident personality while walking and delivering lines to camera.

EMMY is the calculating mastermind of the farmhouse. She is considered the ‘brains’ of the trio. Controlled, cold, precise. Every move is calculated, every word is measured. Although Emmy dictates the fate of others, she does not get her hands dirty (in most circumstances). Her silent and burning desire to be seen and obeyed is masked by her obsessive compulsive tendencies, and uptight stature. Emmy sees the world as data; Violence is her logic, and affection is weakness, which is what she secretly craves from the girls den mother; Mama Vanta. ***This role has implied intimacy without nudity on/off camera*** ***This role will be exposed to SFX makeup***

MEL is the temptress, the bait. She is magnetic and effortlessly charming. A natural flirt with a mean streak, Mel draws in with heat and disarms with wit. Underneath her charm lies emotional detatchement, skeptical of loyalty, and often playing devils advocate to feel something. Mocking Emmy’s obsessive compulsiveness, as she does not care to impress the girls den mother Mama Vanta. She views morality with a bored smirk, she doesn’t harm out of rage, she harms just because she can. ***This role has implied intimacy without nudity on/off camera*** ***This role will be exposed to SFX makeup***

JESS is the heart of the film, but her heart is bruised, guarded, and steering over the edge of something darker. She is cautious, self contained, and tired of running. When we meet her she's fractured and alert, by the end she appears to be something else entirely. Everything reads in her eyes; fear, defiance, then the growing hunger for power. As she progressively becomes absorbed in the sisterhood of the farmhouse, Jess begins to shed her victimhood, not in triumph, but in transportation. She becomes, colder, sharper, darker than what she once feared. ***This role has implied intimacy without nudity on/off camera*** ***This role will be exposed to SFX makeup***

THE GAS STATION CLERK is your typical small town boy. He runs his fathers convenience store at the towns only gas station. He relishes in his usual fling with Lola till he bears witness to who she truly is, and as a result of that meets his unfortunate demise. ***This role will be exposed to fake blood, SPX makeup*** ***This role will have implied sexual scenes, but will not be showcasing any nudity***

THE NURSE is a soft, quaint woman, uncomfortable with Ed's refusal to answer anything she has to say.

THE DINER REGULAR is an obnoxious, arrogant regular of the diner that may get away with pissing off the staff, but does not have the same luck once he crosses paths with Ed. ***This role will be exposed to SFX makeup***

THE DINER WAITRESS is kind, calm. She's been working at the diner for as long as she remembers...just trying to make ends meet. In regards to this, she allows herself to put up with the obnoxious comments made from the diner regular.

ED is Jess’s estranged father. A manipulative, hostile man whose presence lingers even in absence. He’s been hospitalized, forgotten, left behind… but never truly powerless. When he resurfaces, he tracks Jess with cold determination. ***This role will be exposed to SFX makeup***

DAN is the owner of the auto shop where the girls take the stolen vehicles to be discarded. Personal hygiene lacks, not incredibly educated...just a man, his tools, and a horrible sense of grungy humour. Although he does not know all of the gruesome details in regards to how the vehicles were brought to him, he knows it can't be good.. but he doesn't care. Any chance he can get to bargain money and a date with any of them will do just fine. ***This role will be exposed to SFX makeup***

JONNY would like to consider himself as the gentleman type... but he is far from it. He has the looks, the suave. When he meets Mel, he is confident his play has paid off, only in turn to meet his demise in the grungy sleeping quarters of Mama Vanta. This role requires the performer to exude confidence, but turn to the defence effortlessly once prompted. ***This role will be exposed to SFX makeup***

TRAVIS is Rude, manipulative, and dangerously entitled. He is not chaotic or calculating, but only driven by pure reaction and wouded pride. His presence always feels a little too loud, a little too close… even in the silence. ***This role has implied intimacy without nudity on/off camera*** ***This role will be exposed to SFX makeup***

JAKE alongside his friends Steve and Noah are amongst the several unlucky travellers who cross paths with the violent sisterhood. He exudes the confidence of your typical player, and he believes he truly has his way with words, till Mel turns the tables on him. ***This role has implied intimacy without nudity on/off camera*** ***This role will be exposed to SFX makeup***

NOAH alongside his friends Jake and Steve are amongst the several unlucky travellers to cross paths with the violent sisterhood. He is cocky, arrogant, and pleased when Lola seeks his validation. Little does he know, the 'fun' she has in mind, is not what he expects. ***This role has implied intimacy without nudity on/off camera*** ***This role will be exposed to SFX makeup***